This short film takes place in 1965 on
a fictional island named New Penzance. The movie begins in the main female
character Suzy Bishop’s home. The scene shows the Bishop boys listening to
their record player while Suzy is sitting with binoculars around her neck. Suzy
is a twelve year old girl who is disliked by her peers and her parents believe
that she is a troubled child. Through a flashback we learn that she has a pen
pal, named Sam Shukusky, who she
meets at a play of Noah’s Ark at a church. Sam is an orphan and a member of the
Khaki scout troop 55. He is also disliked by his peers and his foster parents
have refused to take him back after camp ends because they believe he is
disturbed. Sam and Suzy have been writing each other for a year and have
decided to run away together to an unnamed island. It is not long before Suzy’s
mother, Laura, and Sam’s Khaki scout troop leader, Scout Master Ward, find out
about the runways. They notify Captain Share that they are each missing a
child, which causes the entire island to start a manhunt to locate the two
runaways. The two star-crossed lovers are not in any hurry to be found and
thanks to Sam’s wilderness survival skills are well equipped and ready to take
on anyone who tries to stop their love. The narrator of this story tells us
that in three days there will be a storm unlike any other on the island that
adds to the necessity to find Sam and Suzy soon.
In Chapter 1 of American Independent Cinema, Geoff King discusses the
strategies that are employed when making an independent film. He states, “Some
films customarily designated as ‘independent’ operate at a distance from the
mainstream in all three respects: they are produced in an ultra-low-budget
world a million miles from that of the Hollywood blockbuster; they adopt formal
strategies that disrupt or abandon the smoothly flowing conventions associated
with the mainstream Hollywood style; and they offer challenging perspectives on
social issues, a rarity in Hollywood”.
Although, Wes Anderson has tried multiple times to make his way
into mainstream film making this film demonstrates the opposite of what is
required to make a blockbuster film. In a non-independent film story lines are
typically smooth-flowing and spoon fed to the audience. However, Anderson uses
unconventional methods of telling the story which adds to the films originality
and makes the story line thought-provoking. Also, Instead of telling a love story
about two children in modern times, Anderson approaches the sensitive topic of
young love from an outdated standpoint, which in my opinion is more captivating.
The use of deadpan humor in was a phenomenal addition which added humor to this
film in a unique and unconventional way. The wackily dressed narrator and the
quirky wardrobes of the cast were fitting to their awkward characters.
Anderson was also working on a tight money budget because his
last film The Fantastic Mr.
Fox did not do as well as he
had hoped. It was evident in the film that the budget was tight, because of
minor things like location and the simplicity of the scenes and filming quality
and techniques. Although the budget was
small I believe this film reached its maximum potential, and truly told a story
that was more realistic than the stories of Hollywood.
One thing that truly caught my attention was the use of
symbolism in this movie which is rare to find in mainstream Hollywood films.
One use for symbolism in the film was the fact that Sam and Suzy ran away to an
island which is symbolic for isolation. Another is the fact that Sam and Suzy
see adults as nothing more than unrelatable human beings, when the truth is that
the children and adults have more than a few similarities.
Overall, Moonrise Kingdom is a must see film whether the
audience is accustomed to Independent films or not. The quirky characters,
picturesque settings and the thought-provoking story line are definitely the
primary reason that this film is so interesting. As a person who has never been
interested in Independent films, I can truly say that this film has heightened
my interest in the Indie film industry and I will definitely be watching more
Indie films in the future.
Hi Nisreen,
ReplyDeleteThis is a great first blog post. Bringing in the reading is great, and you give a few concrete examples of what makes the film independent. Good work. For future posts, I would say that you could even just focus on a single element and go really in depth to interpret the meaning. For example, I like your point about the unconventional narration, and it could have been a post entirely on that topic, exploring the "guide" character who tells us about the impending storm, as well as the editing style of the flashbacks that tell us about the development of Suzy and Sam's romance.
In any case, great work--keep it up!
Jessica